In the 1960s, he recorded free duets with Milford Graves, led his own bands, and played organ with R&B groups, backing Big Maybelle and Ruth Brown, among others. Pullen, who came from a musical family, studied with Muhal Richard Abrams (with whom he played in the Experimental Band) and, in 1964, made his recording debut with Giuseppi Logan. So please join me in this ongoing visceral, investigative, and cerebral quest to explore, enjoy, and pay homage to the endlessly creative and uniquely magisterial dimensions of MUSIC in all of its guises and expressive identities. in order to search for what individual artists and ensembles do creatively to challenge and transform our ingrained ideas and attitudes of what music is and could be. Thus this magazine will strive to critically question and go beyond the conventional imposed notions and categories of what constitutes the generic and stylistic definitions of 'Jazz', 'classical music', 'Blues', 'Rhythm and Blues', 'Rock ' n Roll', 'Pop', 'Funk', 'Hip Hop' etc.

I'm also interested in critically examining the wide range of ideas and opinions that govern our commodified notions of the production, consumption, marketing, and commercial exchange of organized sound(s) which largely define and thereby (over)determine our present relationships to music in the general political economy and culture. The purpose is to openly explore, examine, investigate, reflect on, studiously critique, and take opulent pleasure in the sonic and aural dimensions of human experience known and identified to us as MUSIC. This online magazine features the very best in contemporary creative music in this creative timezone NOW (the one we're living in) as well as that of the historical past.

The 1975 somebody else .rar